Screen-drawing characterised by a black band painted around the edges of a sheet of paper, framing a rectangle with rounded corners, featuring a composition of images transferred to paper using the decalcomania technique. Taken from newspapers and magazines, the photographs present showgirls, movie scenes and pages of text rendered illegible, evanescent and blurred, like projections superimposed onto one another. Thirty-two ovals, traced out in ink and arranged in a grid of four rows by eight columns, frame a series of details like beams of cinematic light. For greater insight into the concept of ‘schermo’ in Mauri’s work, see the introductory essays.