A 1990s painting from the series Senza Arte (Without Art), with raised letters and chalk-based paint, resting on a wooden cabinet. Two glass electrical insulators rise up from the iron frame in the upper-right-hand corner; the cover of an old green metal stove dominates the composition, shoehorned into the lower left of the frame, on top of a cabinet next to a bottle, a lamp, an inner tube inserted into a spring, and an analogue voltage gauge. Through the cabinet’s half-open door, we catch a glimpse of artist’s tools and working materials arranged over four shelves: rectified trichloroethylene, Cervione glue beads, virgin wax, white chalk-based paint, rice flour, cellulose, a sprayer, linoleum stencils, charcoal, cloth-wrapped wood, posters, Polaroids of model cars, a ceramic pitcher, a small box of dried leaves, a pen, several sponges, cloths, felt … The work was first exhibited in 2005 at Galleria La Nuova Pesa in Rome, entitled Chernobyl. In front of the work, resting on an iron column, a digital projector broadcast footage of the Bompiani family in the 1930s, animating the lower part of the piece of furniture that, with one door open and one closed, fitted the video format exactly.