MATERIALS: Photographic plate on paper
DIMENSIONS: 48 × 66 cm
INSCRIPTIONS: Titled, signed and dated on the recto, lower left: ‘Formazione di pensiero anarchico’, lower right: ‘Mauri ’73’
PROVENANCE: The artist
COLLECTION: Private collection, Rome
CATALOGUE: C_1973_222
Formazione di pensiero anarchico is a series of three collages composed of photographic negatives on glass, glued onto Raffaello sheets by papermakers Fabriano. In the three works, the photographic plates are divided into increasingly smaller fragments: in the first one, they are intact (inv. 223); the second is composed of two fragments (inv. 222); the third of four small pieces (inv. 221). The images recorded on the negatives are only partially decipherable: Marlon Brando and Jean Peters in a film scene from Viva Zapata! directed by Elia Kazan, an equestrian combat possibly from the same film, and the inverted image of a Padre Maria Turoldo. Mauri wrote: ‘The formation of an anarchic or contrasting thought continuously, of a rational and conciliatory nature, has been with me as long as my lifetime. Being inclined toward concord, acknowledging the more frequently perverse mechanics that govern human souls has gradually built a system of tenacious defence and offence. Man is inclined toward evil; critical effort coincides with the opposite desire, for good […] To oppose evil is to oppose (its) authority […] Therefore, I call myself an anarchist, therefore, I cultivate myself as an artist. Therefore, I am against, because I would be in favour.’1
1. F. Mauri in Fabio Mauri. Opere e azioni 1954–1994, catalogue of the exhibition (Galleria Nazionale d'Arte Moderna e Contemporanea, Rome), edited by Carolyn Christov-Bakargiev, Marcella Cossu, Editoriale Giorgio Mondadori e Carte Segrete, Rome, 1994, p. 141.
1973, Bari, Centro Studi Libertari, Mostra d’Arte.
1974, Bari, Galleria Unione, Collettiva Artisti Democratici, 19 October – 4 November.
1994, Rome, Galleria Nazionale d’Arte Moderna e Contemporanea, Fabio Mauri. Opere e Azioni 1954-1994, 21 June – 5 October, curated by Carolyn Christov-Bakargiev, Marcella Cossu.
2000, Rome, Istituto Nazionale per la Grafica, Tirannicidi: Vetrina III, la fotografia, 14 September – 30 October, curated by Luigi Ficacci.
2018, Castelbasso (Teramo), Fondazione Malvina Menegaz, Fabio Mauri 1968-1978, 22 July – 2 September, curated by Laura Cherubini.
2023-2024, Rivoli (Turin), Castello di Rivoli Museo d’Arte Contemporanea, Fabio Mauri. Experiments in the Existence of Evil, 16 December 2023 – 24 March 2024, curated by Carolyn Christov-Bakargiev, Sara Codutti, Marianna Vecellio.
Fabio Mauri, “Formazione del pensiero anarchico. 1973”, in Fabio Mauri. Opere e Azioni 1954-1994, exhibition catalogue, Galleria Nazionale d’Arte Moderna e Contemporanea, Rome, edited by Carolyn Christov-Bakargiev, Marcella Cossu (Milan / Rome: Editoriale Giorgio Mondadori / Carte Segrete, 1994), p. 141.
Fabio Mauri 1968-1978, exhibition catalogue, Fondazione Malvina Menegaz, Castelbasso (Teramo), edited by Laura Cherubini (Cinisello Balsamo: Silvana Editoriale, 2018), p. 43 (ill.).